Charlie Gill

User Level : Ex-Über-OULE
Colleges :

St. Peter's from 2016
Green Templeton from 2019

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Parents

Children

Shows

Term	Show	Part/Role
Hilary 2020	Channel Hoppers	Kenneth Morbett Jon Snow
Trinity 2020	The Radio Show at the End of the World	Mitchell David Attenborough Marketing Sound Editing Writer for Secret Life of Traffic Cones Assorted SFX
Michaelmas 2020	Cinderella The Musical	Prince Sheer-Ed Head Editor
Hilary 2021	Waiting for George-O	KJ Head Editor
Trinity 2021	Meeting Rooms and Managers	Liam Head Editor
Michaelmas 2021	A Christmas Carole	Geoff Production Manager
Hilary 2022	Rumpelstiltskin	Rumpelstiltskin Producer

Flosscar Wins

2020	•Best Morally Ambiguous Character for Jon Snow (Channel Hoppers)
2021	•Best Couple for Izzy and KJ (Waiting for George-O) •Best Marketing Campaign for The Radio Show at the End of the World (The Radio Show at the End of the World) •Best Worst VFX for The Fairy Godmother's Censoring Sparkles (Cinderella The Musical) •Best Best VFX for The entirety of scene 1.4 (the documentary) in George O (Waiting for George-O) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for (unexpectedly) being responsible for putting the whole radio show video together at the last minute, whilst still putting out marketing posts and having already done an all-nighter (The Radio Show at the End of the World)
2022	A Christmas Carole: * Best Best Prop for Ghost of Christmas Tree Past and Carole Set Rumpelstiltskin: Best Noise for Rumpelstiltskin's giggles Best Programme Quote for “Aiming for 60% frog” Best Villainous Character for Rumpelstiltskin Best Costume for Rumpelstiltskin

Flosscar Nominations

2020	•Best Villainous Character for Kenneth(Channel Hoppers) •Best Couple for Jon and Daenerys(Channel Hoppers) •Best Performance of a song for Only Documentaries(Channel Hoppers) •Best Costume for Jon Snow(Channel Hoppers) •Best Quote from a Script for “Dobby was bisexual”(Channel Hoppers) •The “Ooh You Luvvie” Award for Actually Being Able to Act for Kenneth(Channel Hoppers)
2021	•Best Heroic Character for Mitchell (The Radio Show at the End of the World) •Best Heroic Character for Prince Sheer-Ed (Cinderella The Musical) •Best Heroic Character for KJ (Waiting for George-O) •Best Group/Double Act for Walkie-Talkie Heroes (The Radio Show at the End of the World) •Best Group/Double Act for The Eds (Cinderella The Musical) •Best Couple for Mitchell and Young (The Radio Show at the End of the World) •Best Performance of a Song for One Way or Another/Sheer-Ed's Rap (Cinderella The Musical) •Best Performance of a Song for Give Me Some False Hope (The Radio Show at the End of the World) •Best Performance of a Song for Love at the End of the World (The Radio Show at the End of the World) •Best Marketing Photo for Charlie's “Clothing Catalogue” Smoldering Crew Picture (The Radio Show at the End of the World) •Best Marketing Photo for Mitchell (The Radio Show at the End of the World) •Best Worst Prop for Sheer-Ed's Unnervingly Orange Wig (Cinderella The Musical) •Best Worst SFX for DJ Slimer's Airhorns (The Radio Show at the End of the World) •Best Worst SFX for DJ Slimer's Illuminati Pigeon (The Radio Show at the End of the World) •Best Worst SFX for Kazoo Cover of Darude Sandstorm (The Radio Show at the End of the World) •Best Best SFX for Space Whoosh Revamp (The Radio Show at the End of the World) •Best Best SFX for The Corruption's Voice Effect (The Radio Show at the End of the World) •Best Best SFX for Meaty Thwack TM (The Radio Show at the End of the World) •Best Best VFX for The Fairy Godmother's Glitter Effects (Cinderella The Musical) •Best Best VFX for The Fairy Godmother makes Velcro disappear and then reappear with a lil pop (Cinderella The Musical) •Best Best VFX for The zoom in on the TV in Cinderella + the TV still playing in the background after it zooms out (Cinderella The Musical) •Best Best VFX for DreadEd's ever increasing size during their 'I will find you' monologue (Cinderella The Musical) •Best Best VFX for The magic 8 ball actually displaying an answer (Waiting for George-O) •Best Best VFX for The Hack-Off and other hacker effects (Waiting for George-O) •Best Best VFX for Olly's Death (Waiting for George-O) •Best Best VFX for Lunchables snatching Izzy's crown (Waiting for George-O) •Best Noise From a Castmember for Zombie Moans (The Radio Show at the End of the World) •Best Soundscape for Screaming and general sounds of disaster throughout Terry's lines (The Radio Show at the End of the World) •Best Soundscape for Cox Phone Fight (The Radio Show at the End of the World) •Best Soundscape for Zombies break in to Radio Alpha and attack the continuity announcer (The Radio Show at the End of the World) •Best Soundscape for DJ Slimer's Soundboard (The Radio Show at the End of the World) •Best Soundscape for Song of Britain crowd and intro/transition music (Cinderella The Musical) •Best Ad-Lib/Outtake for “Batteries not included” (The Radio Show at the End of the World) •Best Quote from a Script for “Let's just think about this for a second…” “YOU CAN'T MAKE ME!” (The Radio Show at the End of the World) •Best Quote from a Script for “How d'ya get them to do this gig?” “Money” (Cinderella The Musical) •The “Ooh You Luvvie” Award for Actually Being Able to Act for Mitchell, Prince Sheer-Ed, and KJ (The Radio Show at the End of the World, Cinderella The Musical, Waiting for George-O) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for All the editing teams for everything ever (The Radio Show at the End of the World, Cinderella The Musical, Waiting for George-O)
2022	The 'Beyond The Call of Duty' Award joint with Will for their contribution to OULES Meeting Rooms and Managers:* Best Group/Double Act for the Interns Best Programme Quote for “Birthed from Central Vedmad” The 'Beyond The Call of Duty' Award for editing the show Rumpelstiltskin:* Best Cock-Up During Performance for skipping plot build-up The “Ooh You Luvvie” Award for Rumpelstiltskin *Best Song Performance for Rumpelstilt-song

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Charlie Gill

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Charlie Gill

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