User Level : Ex-ÜberOULE
Colleges :
Parents
Children
| Term | Show | Part/Role |
| Michaelmas 2016 | Evil Stepmothers’ Club | Jack Alan |
| Hilary 2017 | It’s All Greek To Me | Phoebe |
| Trinity 2017 | A Plaice in the Sun | Direction/Production |
| Michaelmas 2017 | Let’s Kill Santa | Muffin Easter Bunny Producer |
| Hilary 2018 | The Sensational Story of the Splash | Emily Wright Writer |
| Trinity 2018 | Scones in the Morning | Charlotte Kingsham Stage Manager |
| Michaelmas 2018 | Aladdin | Flora the Florist Thief Tomb Warrior Producer |
| Hilary 2019 | Everyone Dies At The End | Ester Writer |
| Trinity 2019 | Robin Hood | Many Director |
| Hilary 2020 | Channel Hoppers | Writer Marketing Manager |
| Michaelmas 2020 | Cinderella The Musical | Lotta Cash Hunter Welly Man |
| Hilary 2021 | Waiting for George-O | Mrs Fenkins Olly Marketing Assistant (aka Scribbles Wizard aka Scrizzard) |
| Trinity 2021 | Meeting Rooms and Managers | Sophie Thomas Writer Marketing Manager |
| Michaelmas 2021 | A Christmas Carole | Writer |
The Sensational Story of the Splash
| 2017 | •Best Double/Group Act for The Chorus (It’s All Greek To Me) |
| 2018 | •Best Directing Team (A Plaice in the Sun) •Best Script (The Sensational Story of the Splash) •Best Worst Prop for the Hole (A Plaice in the Sun) •Best Quote from a Script for “Pineapple juice is a pathetic excuse for a drink and you’re a pathetic excuse for a man!” (The Sensational Story of the Splash) |
| 2019 | •Best Script for Everyone Dies at the End •Best Marketing Campaign for Aladdin •Best Best Prop for the Boxes (Aladdin) •Best Quote from a Script for Odin's Sexual Exploits (Everyone Dies at the End) •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for all of the above |
| 2020 | •Best Directing Team for Robin Hood •Best Script for Channel Hoppers •Best Marketing Campaign for Channel Hoppers •Best Song for Epic Fight Music (Channel Hoppers) •Best Audience Participation/Heckle for Shaking Jack/Ron's Hand for the Whole Show Being Bad Fanfiction (Channel Hoppers) •Best Quote from a Script for “But if we are not dramatic, then we will not die?” (Channel Hoppers) •Best Quote from a Script for “Google Rule 34… And close your eyes” (Channel Hoppers) |
| 2021 | •Best Heroic Character for Olly (Waiting for George-O) •Best Spurious Accent for Olly (Waiting for George-O) •Best Marketing Campaign for Waiting for George-O (Waiting for George-O) •Best Ad-Lib/Outtake for “What happened to you Zen? You used to be Maya, now you are Val” (Cinderella The Musical) |
| 2017 | •Best Cock-up Backstage or During Rehearsals for 'The most sexual coffee shop in the forest' (Evil Stepmothers’ Club) •Best Cock-up Backstage or During Rehearsals for Breaking Ben's priceless red wine (It’s All Greek To Me) •Best Audience Participation / Heckle for Correcting the Knave of Spades on the pronunciation of 'hatter' (Off With Their Heads) •The 'Ooh you luvvie' Award for Actually Being Able to Act for Phoebe (It’s All Greek To Me) |
| 2018 | •Best Heroic Character for Emily Wright (The Sensational Story of the Splash) •Best Villainous Character for Muffin (Let's Kill Santa) •Best Morally Ambiguous Character for The Easter Bunny (Let's Kill Santa) •Best Group/ Double Act for The Confectionary Duo (Let's Kill Santa) •Best Group/ Double Act for Jack Frost and Easter Bunny (Let's Kill Santa) •Best Group/ Double Act for The Splash and Emily (The Sensational Story of the Splash) •Best Couple for Cupcake and Muffin (Let's Kill Santa) •Best Couple for The Splash and Emily (The Sensational Story of the Splash) •Best Marketing Campaign (A Plaice in the Sun) •Best Marketing Campaign (Let's Kill Santa) •Best Song for “Avengers, assemble!” (The Sensational Story of the Splash) •Best Costume for Easter Bunny (Let's Kill Santa) •Best Worst Prop for the Plastic Bag treasure chest (A Plaice in the Sun) •Best Worst Prop for the Explosion Rubble (A Plaice in the Sun) •Best Best Prop for the Police Batons (Let's Kill Santa) •Best Cock-Up During a Performance for laughing at lights (The Sensational Story of the Splash) •Best Cock-Up Backstage or During a Rehearsal for forgetting basically every prop (A Plaice in the Sun) •Best Ad-Lib for “Muffin, don’t you know anything?” “No, sir” (Let's Kill Santa) •Best Quote from a Script for “Evil is brewing and we’re the masters of the kettle” (The Sensational Story of the Splash) •Best Quote from a Script for “You’re an idiotic pubescent hothead with an internal supersoaker” (The Sensational Story of the Splash) •Best Quote from a Script for “Secondary villains, deal with them” (The Sensational Story of the Splash) •Best Quote from a Script for “Secondary villains, deal with them” (The Sensational Story of the Splash) •Best Quote from a Script for all the coffee puns (The Sensational Story of the Splash) •Best Quote from a Script for “and I called her…ROSITA!” (The Sensational Story of the Splash) •Best Quote from a Script for “Seems…Counterproductive” (The Sensational Story of the Splash) •The “Ooh You Luvvie” Award for Actually Being Able to Act for Emily Wright (The Sensational Story of the Splash) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for designing and organising Stash •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for filling in for Producer and Stage Manager (A Plaice in the Sun) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for AD-ing during exams (A Plaice in the Sun) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for the make up (Let's Kill Santa) |
| 2019 | •Best Morally Ambiguous for Charlotte Kingsham (Scones in the Morning) •Best Group/Double Act for the Kingsham Family (Scones in the Morning) •Best Group/Double Act for the Agrabah Market Folk (Aladdin) •Best Couple for Charlotte and Hector (Scones in the Morning) •Best Spurious Accent for Charlotte Kingsham (Scones in the Morning) •Best Song for Don't Worry Old Sport (Scones in the Morning) •Best Song for It's the End of the World (Everyone Dies at the End) •Best Song for The Horsemen of the Apocalypse (Everyone Dies at the End) •Best Worst Prop for the Camping Chair that kept breaking (Scones in the Morning) •Best Worst Prop for the Lamp (Aladdin) •Best Best Prop for the Sock Puppets (Aladdin) •Best Best Prop for the Tomb Sign (Aladdin) •Best Cock-Up Backstage or During a Rehearsal for the Mysterious Floating Pillars (Aladdin) •Best Cock-Up Backstage or During a Rehearsal for forgetting the tomb sign (Aladdin) •Best Ad-Lib for “I'll find a nunnery, there's plenty in the country” (Scones in the Morning) •Best Ad-Lib for “Satan died of loneliness 10 minutes later” (Everyone Dies at the End) •Best Quote from a Script for “I'm not sure I've ever wanted to be toast” “That's a shame, you'd look rather fine covered in Marmalade” (Scones in the Morning) •Best Quote from a Script for “I AM IN PEAK PHYSICAL CONDITION FOR MURDER” (Everyone Dies at the End) •Best Quote from a Script for “I AM ALSO CONFUSED BY THIS” (Everyone Dies at the End) •Best Quote from a Script for “I'm millennia old dad, I know about sex.” (Everyone Dies at the End) •The “Ooh You Luvvie” Award for Actually Being Able to Act for Charlotte Kingsham (Scones in the Morning) •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for populating the new OULES Website •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for creating the banner for Fresher's Fair •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for the Boxes (Aladdin) •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for the Sock Puppets (Aladdin) •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for postering every Oxford college (Aladdin) •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for finding a venue (Everyone Dies at the End) •The “Beyond the Call of Duty” Award for Going Beyond the Call of Duty for organising filming of each show |
| 2020 | •Best Morally Ambiguous Character for Many (Robin Hood) •Best Group/Double Act for The Mighty Maids (Robin Hood) •Best Group/Double Act for Much and Many (Robin Hood •Best Couple for Much and Many (Robin Hood) •Best Song for Marian, Oh Marian (Robin Hood) •Best Song for Channel Hoppers Final Song (Channel Hoppers) •Best Worst Prop for Camping Chair (Robin Hood) •Best Quote from a Script for “Well, not shoes, really… Feet.” (Channel Hoppers) •Best Quote from a Script for “Dobby was bisexual” (Channel Hoppers) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for Doing the Marketing for Channel Hoppers from a Different City (Channel Hoppers) |
| 2021 | •Best Group/Double Act for The Teachers (Waiting for George-O) •Best Spurious Accent for Hunter Welly Man (Cinderella The Musical) •Best Song for I Quite Like Thursdays (Cinderella The Musical) •Best Song for One Night More (Cinderella The Musical) •Best Performance of a Song for Gentlemen Farmers (Cinderella The Musical) •Best Costume for Lotta Cash (Cinderella The Musical) •Best Costume for Hunter Welly Man (Cinderella The Musical) •Best Costume for Olly (Waiting for George-O) •Best Best VFX for Olly's Death (Waiting for George-O) •Best Ad-Lib/Outtake for “Bill, your wig's fallen off” (Cinderella The Musical) •Best Quote from a Script for “Cleanse me of Sin, Cos, and Tan!” (Waiting for George-O) •The “Ooh You Luvvie” Award for Actually Being Able to Act for Olly and Mrs Fenkins (Waiting for George-O) •The ‘Beyond the Call of Duty’ Award for Going Beyond the Call of Duty for doing all the marketing scribbles (Waiting for George-O) |
| 2022 | Meeting Rooms and Managers: *Best Script *Best Marketing Campaign *Best Song for the Sneaking Song A Christmas Carole: *Best Script *Best Quote from a Script for “Today? Why it's Christmas Day!” *Best Quote from a Script for “I don't know how to tell you how stupid you are” |